The end of the world is never truly the end of the world. This is neither an endorsement of the recent ideology that comes with stipulating pronouns for what can be identified 99 percent of the time by simply glancing at another human nor is it to accommodate her fantasies (of which there seem many and some quite troubling ones, including a nail gun fetish that inevitably appears in her book) but to avoid strikes.
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Manhunt is, according to NPR, “ brilliantly imagined” literature for the LGBTQ.įor the purpose of efficiency and given I am unfamiliar with Substack’s position on unfettered expression, I will use the author’s preferred pronouns: she and her. When they aren’t busy calling orphaned and widowed women “neo-fascist Nazis,” “cunts,” and “chromosome crusaders,” they can be found having mostly joyless sex that borders on assault, eating testicles lathered in butter, and experiencing erections while trying to kill “cis” militia women who, in this world, execute trans-identified males lest they become feral behemoths, and snarl at trans-identified females for betraying the matriarchy. To avoid the same ghastly fate because they are biologically male after all, Beth and Fran desperately hunt for estrogen.
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The virus attacks people with high testosterone levels (overwhelmingly men) and turns them into unthinking ogres that rape and devour whatever is left of humanity. An obese and melancholic Indian “cis woman” conveniently named Indi and a reticent trans-identified female Robbie join the duo to make sense of a world ravaged by the “t.rex” plague. The novel follows the journey of two trans-identified males, Beth and Fran, through the pillaged New England coast. How would malignant narcissists behave in a post-apocalyptic world? Despite never intending it, Gretchen Felker-Martin (GFM) answers this question in Manhunt published by Tor, a division of Macmillan.